His weary, fatalistic tone is heard in lengthy voice-over as he becomes the unreliable narrator of the events that follow. Perhaps the boat has already sailed on this long delayed venture.Īiling American novelist Samson Young (Billy Bob Thornton) arrives in decaying, riot-torn London to stay in the palatial apartment of fellow writer Mark Asprey (Jason Isaacs). Reminiscent of Dennis Potter’s landmark television series The Singing Detective, it also wedded to the era in which it was written and risks feeling dated. The reputation of the novel and the attractive cast (including an uncredited Johnny Depp) might prove a draw for audiences but this seems more like a film with cult potential rather than mainstream appeal. Jim Sturgess gives a barnstorming performance that leaves over-the-top as an inadequate descriptionĬullen captures some of the swashbuckling, smugly self-regarding spirit of the novel but the lurid excess and brash satire are an overpowering mixture. Once announced as a project for David Cronenberg, and subsequently for Michael Winterbottom and Shekhar Kapur among others, it finally sees the light of day as a lushly ambitious debut feature from Matthew Cullen. First published in 1989, the Martin Amis novel London Fields offers an exhilarating, three-ring circus of scabrous social satire, hardboiled film noir pastiche and wry self-examination as he explores the creative act of spinning yarns from the raw material of life.
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